The last signs of Winter

 

W&N watercolour on Bockingford 300gsm 

The last signs of winter still lingering – a row of scorched wooden fencing that now needs replacing…

A windpomp in South Africa

Ink sketch and W&N watercolour on Bockingford 300gsm

The first records found of a windpump in South Africa, is from a painting drawn in 1848. Records were found of windpumps as from 1869 and the first import was in 1874. These were wooden constructions. The first all steel windpump was patented in 1855 in England.

Die windpomp

…en vurig en fier soos oor ‘n kleintandooi
die kop geolie en die stert bloedrooi
staan ons ou slyttand met ‘n nuwe rug
oor die jongste boorgat opgerig
-- Uittreksel uit ’n gedig deur Leon Strydom

Hard to believe

W&N watercolour on Bockingford 300gsm

Winter on our smallholding (Tarlton, Gauteng, South Africa)

It’s hard to believe that in a few weeks’ time the grass on our smallholding will be green and these trees once again thick with foliage…

Xhosa Woman hoeing

W&N watercolour on Visual 200gsm 

Education is the most powerful weapon which you can use to change the world. 

- Nelson Mandela

The Xhosa number approximately 7,1 million people, the majority of whom live in the Eastern Cape of South Africa. They are descendant from the Nguni, who migrated from central and northern Africa. They comprise a number of clans such as Gcaleka, Ngika, Ndlambe, Dushane, Qayi and the Gqunkhwebe of Khoisan origin.

In Xhosa culture the women are easily recognised by their heavy dress, matching turban and coloured dots decorating their faces. If she has children, whom she has raised to be adults, then it is usual to find her seated among her peers smoking a long-handled pipe. It is also tradition that the women tend to the fields, carry water and tend to the household in general.

African Tribal dress

W&N watercolour on Visual 200gsm 

African clothing is the traditional clothing, often vibrantly coloured, worn by the indigenous peoples of Africa. In some instances these traditional garments have been replaced by western clothing introduced by European colonialists and worn in conjunction with tribal beads and aprons.

Ndebele women traditionally adorned themselves with a variety of ornaments, each symbolising her status in society. After marriage, dresses became increasingly elaborate and spectacular. In earlier times, the Ndebele wife would wear copper and brass rings around her arms, legs and neck, symbolising her bond and faithfulness to her husband, once her home was built.

Xhosa beadwork, like all African art, is steeped in symbolism and meaning. It has a rich and colourful history and has faced extinction with the encroachment and interference of the civilised, western, Christian world. Fortunately it has survived over the centuries and is still practiced by pockets of women in some regions of South Africa, to keep the tradition alive as well as to keep food on the table.